(I did not think to take a photo until the kiln was on the way down--about 1945 F--but it still shows. There are 6 peeps--but only 5 show. And the photo shows that the top 2 peeps are not as bright as the middle two and that the next to the bottom peep is very dull. I do have element problems. Drat...)
Didn't want it to be the elements--they are so expensive. I am so sorry that I don't know enough about electric machines and their care to be able to take care of my kiln. I am totally ignorant in that area (not just that area, unfortunately!)
I had a funny thing happen in the last (bisque) firing. I always put cone packs into the kiln--usually 3, sometimes 4. I have never had the fallen cones break except if I carelessly put then on the table when emptying the kiln--I line them up on the edge of the table to take a photo of the cones to put with the record of that firing. When I was emptying the kiln, I found that the top cone pack had a broken ^5 when I picked it up from the shelf. Curious. The cone was placed near the edge of the 1/2 shelf in the middle of the kiln so the fallen cone melts down over the edge of the shelf. When I removed that shelf I found the broken piece on the shelf below. Strange. Then the next cone pack had done exactly the same thing--^5 broken and sitting on the lower shelf. Very strange. Then I got to the bottom shelf and the ^5 was also broken off--but it was not sitting on the edge of a shelf and there was no broken piece near it on the shelf. Then I saw the broken end sticking out of a element grove. Very strange--so the broken piece had flown across the shelf--inches--to land in the grove. Perhaps that burned out the lower element. But what would cause those cones to break? The ^6 cones were all flat but none were broken. The broken ends of the ^5's were not melted, they looked as if they had just been snapped in two.
Sunday is the San Antonio Potters Guild show/sale. I am participating--sharing a booth with a friend. I don't have much work to show and not enough time to make a lot. So I've been working pretty steadily since early October. (t won't be the end of the world if I don't get anything from this long, strange firing--but I'd like to have this work to add to what I do have.) As I've been working for this deadline I've been very aware of how much I need to be spending time experimenting and exploring in the studio. Maybe I feel guilty spending a lot of time there and neglecting family things--with the show coming up I could justify to myself (and family) disappearing into the studio for most of the days, most of the past month. But I see so clearly that if I want to 'be a potter' I've got to commit to it on a more regular basis. Having the show as a deadline is a great excuse/motivator to be working away. But to really grow in my work I've got to work at it more consistently--without the deadline. I loved the line in the new issue of "Pottery Making Illustrated" on the editors page: "If it weren't for the last minute, nothing would get done." That is my story, for sure!
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